Ah, where’s the river’s hidden gold!
And where’s the windy grave of Troy?
Yet come I as I came of old,
From out the heart of summer’s joy.

And the Pumpkin Patch is back! –

++ HALLOWEENIE: PUMPKIN PATCH 2009
The ‘Patch is back, and there are five new pumpkin blends to choose from. Pick individual pumpkins from the field, or snatch up the whole shebang!

TATTIE BOGLE
Alane upon the field she stood,
The tattie-bogle, tall an’ prood.
But certie, she wis smairt an’ braw,
A bonnie lass, tho’ made o’ straw.

Her gowden hair wis made o’ oo.
Her dentie goon when it wis new
Langsyne, hid been the guidwife’s best.
Sae trigly wis the bogle drest!

The beasts they cam’ frae a’ the airts.
(The tod ran tours frae furrin’ pairts.)
They cam’ by day, they cam’ by nicht,
To see a maist byordnar sicht.

An’ craws an sparras by the score,
A wale o’ burds, mair nor afore.
The fermer roared an’ raged aboot.
‘A’ll cast yon tattie-bogle oot!’

Pair tattie-bogle, she wis wae.
‘Eh!’ said the houlet, ‘Whits a dae?’
He flew doon frae the elder tree.
‘Noo, dry yer e’en an’ herk tae me.

‘See, lassie, tak ma guid advice.
There is nae yiss ye bein’ nice.
Can ye nae glower an’ skreich an’ a’
Tae sen’ thae cooardie burds awa’?’

The bogle grat nae mair: instead
‘A’m much obleeged tae ye,’ she said
‘Ma voice is lood – jist like the craik!’
‘Then sing,’ he said, ‘ for ony sake!’

It chilled the verra bluid tae hear
The bogle’s sang : frae far an’ near
The burds rose up, a’ frichtit sair
An’ nivver cam back ony mair.

Sae should ye pass at skreich o’ day
Alang the road frae Auchenblae,
An’ hear a strange uncanny soun,
That scares the burds for miles aroon,

++ THE LITERARY VAMPIRE
A cypress-bough, and a rose-wreath sweet
A wedding-robe, and a winding-sheet,
A bridal-bed and a bier.
Thine be the kisses, maid,
And smiling Love’s alarms;
And thou, pale youth, be laid
In the grave’s cold arms.
Each in his own charms,
Death and Hymen both are here;
So up with scythe and torch,
And to the old church porch,
While all the bells ring clear:
And rosy, rosy the bed shall bloom,
And earthy, earthy heap up the tomb.

Now tremble dimples on your cheek,
Sweet be your lips to taste and speak,
For he who kisses is near:
By her the bridegod fair,
In youthful power and force;
By him the grizard bare,
Pale knight on a pale horse,
To woo him to a corpse.
Death and Hymen both are here;
So up with scythe and torch,
And to the old church porch,
While all the bells ring clear:
And rosy, rosy the bed shall bloom,
And earthy, earthy heap up the tomb.

– Songs from “Death’s Jest-Book”, Athulf’s Death Song, Thomas Lovell Beddoes

ARIADNE BRUNNELL
(The Vampire Maid, Hume Nisbet)
This contact seemed also to have affected her as it did me; a clear flush, like a white flame, lighted up her face, so that it glowed as if an alabaster lamp had been lit; her black eyes became softer and more humid as our glances crossed, and her scarlet lips grew moist. She was a living woman now, while before she had seemed half a corpse.

She permitted her white slender hand to remain in mine longer than most people do at an introduction, and then she slowly withdrew it, still regarding me with steadfast eyes for a second or two afterwards.

Fathomless velvety eyes these were, yet before they were shifted from mine they appeared to have absorbed all my willpower and made me her abject slave. They looked like deep dark pools of clear water, yet they filled me with fire and deprived me of strength. I sank into my chair almost as languidly as I had risen from my bed that morning.

Yet I made a good breakfast, and although she hardly tasted anything, this strange girl rose much refreshed and with a slight glow of colour on her cheeks, which improved her so greatly that she appeared younger and almost beautiful.

I had come here seeking solitude, but since I had seen Ariadne it seemed as if I had come for her only. She was not very lively; indeed, thinking back, I cannot recall any spontaneous remark of hers; she answered my questions by monosyllables and left me to lead in words; yet she was insinuating and appeared to lead my thoughts in her direction and speak to me with her eyes. I cannot describe her minutely, I only know that from the first glance and touch she gave me I was bewitched and could think of nothing else.

With the name, the tension of his will relaxed suddenly, reality went out and the dream took him again, and bore him on swiftly and surely like a man walking in his sleep, down, down, by the steep path in the gathering darkness. And as she glided beside him, Cristina whispered strange, sweet things in his ear, which somehow, if he had been awake, he knew that he could not quite have understood; but now they were the most wonderful words he had ever heard in his life. And she kissed him also, but not upon his mouth. He felt her sharp kisses upon his white throat, and he knew that her lips were red.

So the wild dream sped on through twilight and darkness and moonrise, and all the glory of the summer’s night. But in the chilly dawn he lay as one half dead upon the mound down there, recalling and not recalling, drained of his blood, yet strangely longing to give those red lips more. Then came the fear, the awful nameless panic, the mortal horror that guards the confines of the world we see not, neither know of as we know of other things, but which we feel when its icy chill freezes our bones and stirs our hair with the touch of a ghostly hand. Once more Angelo sprang from the mound and fled up the gorge in the breaking day, but his step was less sure this time, and he panted for breath as he ran; and when he came to the bright spring of water that rises half way up the hillside, he dropped upon his knees and hands and plunged his whole face in and drank as he had never drunk before — for it was the thirst of the wounded man who has lain bleeding all night upon the battle-field.

I stopped, for there was a sudden stillness. The storm had passed; and, perhaps in sympathy with nature’s silence, my heart seemed to cease to beat. But this was only momentarily; for suddenly the moonlight broke through the clouds, showing me that I was in a graveyard, and that the square object before me was a great massive tomb of marble, as white as the snow that lay on and all around it. With the moonlight there came a fierce sigh of the storm, which appeared to resume its course with a long, low howl, as of many dogs or wolves. I was awed and shocked, and felt the cold perceptibly grow upon me till it seemed to grip me by the heart. Then while the flood of moonlight still fell on the marble tomb, the storm gave further evidence of renewing, as though it was returning on its track. Impelled by some sort of fascination, I approached the sepulchre to see what it was, and why such a thing stood alone in such a place. I walked around it, and read, over the Doric door, in German:

COUNTESS DOLINGEN OF GRATZ
IN STYRIA
SOUGHT AND FOUND DEATH
1801

On the top of the tomb, seemingly driven through the solid marble-for the structure was composed of a few vast blocks of stone-was a great iron spike or stake. On going to the back I saw, graven in great Russian letters:

‘The dead travel fast.’

There was something so weird and uncanny about the whole thing that it gave me a turn and made me feel quite faint. I began to wish, for the first time, that I had taken Johann’s advice. Here a thought struck me, which came under almost mysterious circumstances and with a terrible shock. This was Walpurgis Night!

Walpurgis Night, when, according to the belief of millions of people, the devil was abroad-when the graves were opened and the dead came forth and walked. When all evil things of earth and air and water held revel. This very place the driver had specially shunned. This was the depopulated village of centuries ago. This was where the suicide lay; and this was the place where I was alone-unmanned, shivering with cold in a shroud of snow with a wild storm gathering again upon me! It took all my philosophy, all the religion I had been taught, all my courage, not to collapse in a paroxysm of fright.

And now a perfect tornado burst upon me. The ground shook as though thousands of horses thundered across it; and this time the storm bore on its icy wings, not snow, but great hailstones which drove with such violence that they might have come from the thongs of Balearic slingers-hailstones that beat down leaf and branch and made the shelter of the cypresses of no more avail than though their stems were standing-corn. At the first I had rushed to the nearest tree; but I was soon fain to leave it and seek the only spot that seemed to afford refuge, the deep Doric doorway of the marble tomb. There, crouching against the massive bronze door, I gained a certain amount of protection from the beating of the hailstones, for now they only drove against me as they ricocheted from the ground and the side of the marble.

And from that very instant, so far as he could remember, these queer feelings had entered his heart-fear, distrust, misgiving. The thought of it now, as he lay in bed in the darkness, made his hair rise. There was something about that girl that struck cold into the soul. Yet she was a mere slip of a thing, very pretty, seductive even, with a certain serpent-like fascination about her eyes and movements; and although she only replied to their questions as to refreshment with a smile, uttering no single word, she managed to convey the impression that she was a managing little person who might make herself very disagreeable if she chose. In spite of her undeniable charm there was about her an atmosphere of something sinister. He himself did most of the questioning, but it was his older friend who had the benefit of her smile. Her eyes hardly ever left his face, and once she had slipped quite close to him and touched his arm.

I said nothing, but I heard the Rector give a sort of gasp as he clutched my arm feverishly.

‘Great Heaven!’ he whispered, ‘it is taking shape.’

And, true enough, in a very few moments we saw standing erect by the tomb the ghastly figure of the Countess Sarah!

At the end of the corridor a second door barred my passage. I thrust it open – and stood swaying there on the sill staring inward.

Beyond was a small room, barely ten feet square, with a low-raftered ceiling. And by the light of the open door I saw side by side in the center of the floor – two white wood coffins.

How long I stood there leaning weakly against the stone wall I don’t know. There was an odor drifting from out of that chamber. Heliotrope! But heliotrope defiled by the rotting smell of an ancient grave.

Then suddenly I leaped to the nearest coffin, seized its cover and ripped it open.

Would to heaven I could forget that sight that met my eyes. There the woman in black – unveiled.

A BLADE OF GRASS
Said a blade of grass to an autumn leaf, “You make such a noise falling! You scatter all my winter dreams.”

Said the leaf indignant, “Low-born and low-dwelling! Songless, peevish thing! You live not in the upper air and you cannot tell the sound of singing.”

Then the autumn leaf lay down upon the earth and slept. And when spring came she waked again — and she was a blade of grass.

And when it was autumn and her winter sleep was upon her, and above her through all the air the leaves were falling, she muttered to herself, “O these autumn leaves! They make such a noise! They scatter all my winter dreams.”

Autumn leaves scattered among blades of grass.

AUTUMN COOLNESS
Heat lingers
As days are still long;
Early mornings are cool
While autumn is still young.
Dew on the lotus
Scatters pure perfume;
Wind on the bamboos
Gives off a gentle tinkling.
I am idle and lonely,
Lying down all day,
Sick and decayed;
No one asks for me;
Thin dusk before my gates,
Cassia blossoms inch deep.

The scent of wisteria, Cymbidium, lotus blossom, and cassia buds drifting on a breeze through gently swaying bamboo reeds.

JOHN BARLEYCORN
There was three men come out o’ the west their fortunes for to try,
And these three men made a solemn vow, John Barleycorn must die,
They plowed, they sowed, they harrowed him in, throwed clods upon his head,
And these three men made a solemn vow, John Barleycorn was dead.

Barley, beer, blood, and whiskey.

CHANT D’AUTOMNE
I
Bientôt nous plongerons dans les froides ténèbres;
Adieu, vive clarté de nos étés trop courts!
J’entends déjà tomber avec des chocs funèbres
Le bois retentissant sur le pavé des cours.

Tout l’hiver va rentrer dans mon être: colère,
Haine, frissons, horreur, labeur dur et forcé,
Et, comme le soleil dans son enfer polaire,
Mon coeur ne sera plus qu’un bloc rouge et glacé.

J’écoute en frémissant chaque bûche qui tombe
L’échafaud qu’on bâtit n’a pas d’écho plus sourd.
Mon esprit est pareil à la tour qui succombe
Sous les coups du bélier infatigable et lourd.

Il me semble, bercé par ce choc monotone,
Qu’on cloue en grande hâte un cercueil quelque part.
Pour qui? — C’était hier l’été; voici l’automne!
Ce bruit mystérieux sonne comme un départ.

II
J’aime de vos longs yeux la lumière verdâtre,
Douce beauté, mais tout aujourd’hui m’est amer,
Et rien, ni votre amour, ni le boudoir, ni l’âtre,
Ne me vaut le soleil rayonnant sur la mer.

Et pourtant aimez-moi, tendre coeur! soyez mère,
Même pour un ingrat, même pour un méchant;
Amante ou soeur, soyez la douceur éphémère
D’un glorieux automne ou d’un soleil couchant.

Courte tâche! La tombe attend; elle est avide!
Ah! laissez-moi, mon front posé sur vos genoux,
Goûter, en regrettant l’été blanc et torride,
De l’arrière-saison le rayon jaune et doux!

- – -

I
Soon we will sink in the frigid darkness
Good-bye, brightness of our too short summers!
I already hear the fall in distress
Of the wood falling in the paved courtyard.

Winter will invade my being: anger,
Hatred, chills, horror, hard and forced labor,
And, like the sun in its iced inferno,
My heart is but a red and frozen floe.

I hear with shudders each weak limb that falls.
The scaffold will have no louder echo.
My spirit is like a tower that yields
Under the tireless and heavy ram blow.

It seems, lulled by this monotonous sound,
Somewhere a coffin is hastily nailed,
For whom? Summer yesterday, autumn now!
This mysterious noise sounds like a farewell.

II
I love the greenish light of your long eyes,
Sweet beauty, but all is bitter today.
Nothing, not love, the boudoir or the hearth
Is dearer than the sunshine on the sea.

Still love me, tender heart! Be a mother
Even to the ingrate, to the wicked,
Lover, sister, ephemeral sweetness
Of fall’s glory or of the setting sun.

Short-lived task! The tomb awaits, merciless.
Ah! Let me, my head resting on your knees,
Savor, regretting the white hot summer,
The autumn’s last rays yellow and tender.

The scent of the year’s fall and the setting sun, ominous and foreboding: dried leaves, charred wood, blood musk, amber, khus, and Nicotiana tabacum.

DAY OF THE SKULLS
In Bolivia, many people hold to the tradition of keeping the skulls of their ancestors with them in their homes, caring for their remains. It is believed that each person has seven souls, and one of those souls stays with the skull after death, enabling a spirit to grant protection and prophetic dreams to their descendants, and to bless their families with good health and prosperity.

The Bolivian Fiesta de las Ñatitas, or Dia de los Ñatitas, is a day of honor for these ancestors. Their skulls are dressed with fragrant blossoms, and offerings of cocoa leaves, alcohol, and cigarettes are made.

White sandalwood, beeswax, and frankincense crowned by hydrangea, rose, and kantuta blossoms, dressed with tobacco, cocoa leaves and flowers from the sacred Cactus of the Four Winds.

GRAVEYARD DIRT 2008
A tribute to a somewhat nefarious and truly notorious ingredient in New Orleans spellcrafting. It is employed in hoodoo rootwork for various reasons, primarily in spells of protection, “tricking” your enemies, binding, and even love magick. The graves are chosen based on the type of working, and are determined by the type of spirit that lies there and the manner of their demise. Payment is always required in the form of offerings to the deceased. This is the scent of pure graveyard dust, spattered with grave loam and dusted lightly with tombstone moss.

HUESOS DE SANTO
On All Saints Day, Spanish families visit their loved ones in the cemeteries, keeping vigil throughout the evening, saying prayers for the dead. Family burial plots are cleaned and tended, and graves are adorned with gladiolas, chrysanthemums, and roses. Bone-shaped pastries called Saint’s Bones, or the Bones of the Holy, are baked and shared in honor of the souls in Purgatory, and to remind us of those who no longer share our repast, but with whom we one day hope to be reunited with again.

Orange-glazed cake, dotted with anise seed, and filled with custard, set beside a bouquet of celebratory funeral flowers.

MEDITATION IN AUTUMN
Withered vines, gnarled trees, twilight crows,
river flowing beneath the little bridge,
past someone’s home.
The wind blows from the west
where the sun sets, it blows
across the ancient road,
across the bony horse
across the despairing man
who stands at heaven’s edge.

A desolate scent, dusty, bleak, and withered: old wood, burnt brown sandalwood, and twisted vines.

MICTECACIHUATL
Known as the Mistress of Bones and the Lady of the Dead, she is the Queen of Mictlan, the Aztec Underworld, who still presides over today’s Day of the Dead rituals. Sometimes known now as La Huesuda, she brings peace and joy to the spirits of the deceased, and blesses the living who do honor to those who have passed before them.

Copal, precious woods, South American spices, agave nectar, cigar tobacco, and roses.

SAMHAIN 2008
Truly the scent of autumn itself — damp woods, fir needle, and black patchouli with the gentlest touches of warm pumpkin, clove, nutmeg, allspice, sweet red apple and mullein.

STICKY PILLOWCASE
Terminal sugar rush. A little goblin’s candy bag, upended.

Smushed candy corn, rock candy dust, marshmallow gunk, strawberry goo, spun blue sugar, globs of salt water taffy, and lint.

SUGAR SKULL 2008
Vibrant with the joy and sweetness of life in death! A blend of five sugars, lightly dusted with candied fruits.

TO AUTUMN
Season of mists and mellow fruitfulness,
Close bosom-friend of the maturing sun;
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eves run;
To bend with apples the moss’d cottage-trees,
And fill all fruit with ripeness to the core;
To swell the gourd, and plump the hazel shells
With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
For summer has o’er-brimm’d their clammy cells.

Who hath not seen thee oft amid thy store?
Sometimes whoever seeks abroad may find
Thee sitting careless on a granary floor,
Thy hair soft-lifted by the winnowing wind;
Or on a half-reap’d furrow sound asleep,
Drows’d with the fume of poppies, while thy hook
Spares the next swath and all its twined flowers:
And sometimes like a gleaner thou dost keep
Steady thy laden head across a brook;
Or by a cyder-press, with patient look,
Thou watchest the last oozings hours by hours.

Where are the songs of spring? Ay, where are they?
Think not of them, thou hast thy music too, -
While barred clouds bloom the soft-dying day,
And touch the stubble-plains with rosy hue;
Then in a wailful choir the small gnats mourn
Among the river sallows, borne aloft
Or sinking as the light wind lives or dies;
And full-grown lambs loud bleat from hilly bourn;
Hedge-crickets sing; and now with treble soft
The red-breat whistles from a garden-croft;
And gathering swallows twitter in the skies.

Mist and mellow fruitfulness: mist-swirled, moss-covered bark and dry red leaves, apple pulp and knotty galangal, with poppy juice and nutmeat.

++ PUMPKIN PATCH

The ‘Patch is back, with five new pumpkin blends to choose from. Pick individual pumpkins from the field, or snatch up the whole bushel!

PUMPKIN I
Pumpkin with mango, persimmon, coconut, and myrrh.

PUMPKIN II
Pumpkin with black musk, leather accord, tonka, teak, orange wood, and opoponax.

PUMPKIN III
Pumpkin with pink grapefruit, lemon verbena, yuzu, lime, parsley, and mint.

PUMPKIN IV
Pumpkin with white sage, cherry tobacco, honey, smoky vanilla, cedar, and pine.

PUMPKIN V
Pumpkin with cranberry, strawberry, red musk, red rose, rosehip, frankincense, fig, jasmine, and carnation.

PUMPKIN PLUNDER
If you purchase Pumpkin Plunder, you will receive an imp of Needle in a Haystack: a scent created to compliment and complete the collection.

Needle in a Haystack
Hay absolute, sun-baked pumpkin rind, twisting vines, and the tiniest sparkle of gleaming metal.

Label artwork for the Halloweenies, Pumpkin Patch, and Hellhound [a limited edition that isn't one of the Halloween scents and is only available until Aug. 18th] by our beloved Jennifer Williamson!

But wait! – there’s more!

This autumn, we are paying a visit to the quiet eastern shore of the Hudson River with a Limited Edition subseries inspired by the Legend of Sleepy Hollow by Washington Irving:

++ SLEEPY HOLLOW
BROM BONES
Among these the most formidable was a burly, roaring, roystering blade, of the name of Abraham, or, according to the Dutch abbreviation, Brom Van Brunt, the hero of the country round, which rang with his feats of strength and hardihood. He was broad-shouldered and double-jointed, with short curly black hair, and a bluff, but not unpleasant countenance, having a mingled air of fun and arrogance. From his Herculean frame and great powers of limb, he had received the nickname of BROM BONES, by which he was universally known. He was famed for great knowledge and skill in horsemanship, being as dexterous on horseback as a Tartar.

He was foremost at all races and cock-fights; and, with the ascendancy which bodily strength acquires in rustic life, was the umpire in all disputes, setting his hat on one side, and giving his decisions with an air and tone admitting of no gainsay or appeal. He was always ready for either a fight or a frolic; but had more mischief than ill-will in his composition; and, with all his overbearing roughness, there was a strong dash of waggish good humor at bottom. He had three or four boon companions, who regarded him as their model, and at the head of whom he scoured the country, attending every scene of feud or merriment for miles round. In cold weather he was distinguished by a fur cap, surmounted with a flaunting fox’s tail; and when the folks at a country gathering descried this well-known crest at a distance, whisking about among a squad of hard riders, they always stood by for a squall. Sometimes his crew would be heard dashing along past the farmhouses at midnight, with whoop and halloo, like a troop of Don Cossacks; and the old dames, startled out of their sleep, would listen for a moment till the hurry-scurry had clattered by, and then exclaim, “Ay, there goes Brom Bones and his gang!” The neighbors looked upon him with a mixture of awe, admiration, and good will; and when any madcap prank, or rustic brawl, occurred in the vicinity, always shook their heads, and warranted Brom Bones was at the bottom of it.

The butchest, manliest of musks covered in well-worn leather.

THE CHURCHYARD
The sequestered situation of this church seems always to have made it a favorite haunt of troubled spirits. It stands on a knoll, surrounded by locust-trees and lofty elms, from among which its decent whitewashed walls shine modestly forth, like Christian purity beaming through the shades of retirement. A gentle slope descends from it to a silver sheet of water, bordered by high trees, between which, peeps may be caught at the blue hills of the Hudson. To look upon its grass-grown yard, where the sunbeams seem to sleep so quietly, one would think that there at least the dead might rest in peace. On one side of the church extends a wide woody dell, along which raves a large brook among broken rocks and trunks of fallen trees. Over a deep black part of the stream, not far from the church, was formerly thrown a wooden bridge; the road that led to it, and the bridge itself, were thickly shaded by overhanging trees, which cast a gloom about it, even in the daytime; but occasioned a fearful darkness at night. This was one of the favorite haunts of the headless horseman; and the place where he was most frequently encountered.

Overgrown dark green bullrush, midnight roses, dwarf St. John’s Wort, frankincense, blackberry leaf, and moss-covered, half-buried tree bark.

ICHABOD CRANE
The cognomen of Crane was not inapplicable to his person. He was tall, but exceedingly lank, with narrow shoulders, long arms and legs, hands that dangled a mile out of his sleeves, feet that might have served for shovels, and his whole frame most loosely hung together. His head was small, and flat at top, with huge ears, large green glassy eyes, and a long snipe nose, so that it looked like a weather-cock, perched upon his spindle neck, to tell which way the wind blew. To see him striding along the profile of a hill on a windy day, with his clothes bagging and fluttering about him one might have mistaken him for the genius of famine descending upon the earth, or some scarecrow eloped from a cornfield.

. . .

From his half itinerant life, also, he was a kind of travelling gazette, carrying the whole budget of local gossip from house to house; so that his appearance was always greeted with satisfaction. He was, moreover, esteemed by the women as a man of great erudition, for he had read several books quite through, and was a perfect master of Cotton Mather’s history of New England Witchcraft, in which, by the way, he most firmly and potently believed.

He was, in fact, an odd mixture of small shrewdness and simple credulity. His appetite for the marvellous, and his powers of digesting it, were equally extraordinary; and both had been increased by his residence in this spellbound region. No tale was too gross or monstrous for his capacious swallow. It was often his delight, after his school was dismissed in the afternoon, to stretch himself on the rich bed of clover, bordering the little brook that whimpered by his school-house, and there con over old Mather’s direful tales, until the gathering dusk of the evening made the printed page a mere mist before his eyes. Then, as he wended his way, by swamp and stream and awful woodland, to the farmhouse where he happened to be quartered, every sound of nature, at that witching hour, fluttered his excited imagination: the moan of the whip-poor-will from the hill-side; the boding cry of the tree-toad, that harbinger of storm; the dreary hooting of the screech-owl, or the sudden rustling in the thicket of birds frightened from their roost. The fire-flies, too, which sparkled most vividly in the darkest places, now and then startled him, as one of uncommon brightness would stream across his path; and if, by chance, a huge blockhead of a beetle came winging his blundering flight against him, the poor varlet was ready to give up the ghost, with the idea that he was struck with a witch’s token. His only resource on such occasions, either to drown thought, or drive away evil spirits, was to sing psalm tunes;-and the good people of Sleepy Hollow, as they sat by their doors of an evening, were often filled with awe, at hearing his nasal melody, “in linked sweetness long drawn out,” floating from the distant hill, or along the dusky road.

Dusty black wool, tea with cream, black pepper, muguet, and beeswax candle drippings.

FEARFUL PLEASURE
Another of his sources of fearful pleasure was, to pass long winter evenings with the old Dutch wives, as they sat spinning by the fire, with a row of apples roasting and spluttering along the hearth, and listen to their marvellous tales of ghosts and goblins, and haunted fields, and haunted brooks, and haunted bridges, and haunted houses, and particularly of the headless horseman, or galloping Hessian of the Hollow, as they sometimes called him. He would delight them equally by his anecdotes of witchcraft, and of the direful omens and portentous sights and sounds in the air, which prevailed in the earlier times of Connecticut; and would frighten them woefully with speculations upon comets and shooting stars; and with the alarming fact that the world did absolutely turn round, and that they were half the time topsy-turvy!

Dried orange peels floating in simmering cider, roasted apples, smoldering firewood, chimney smoke, sassafras beer, warm hawthorn wood, and oakmoss.

THE GOBLIN RIDER
In the dark shadow of the grove, on the margin of the brook, he beheld something huge, misshapen, black and towering. It stirred not, but seemed gathered up in the gloom, like some gigantic monster ready to spring upon the traveller.

The hair of the affrighted pedagogue rose upon his head with terror. What was to be done? To turn and fly was now too late; and besides, what chance was there of escaping ghost or goblin, if such it was, which could ride upon the wings of the wind? Summoning up, therefore, a show of courage, he demanded in stammering accents-”Who are you?” He received no reply. He repeated his demand in a still more agitated voice. Still there was no answer. Once more he cudgelled the sides of the inflexible Gunpowder, and, shutting his eyes, broke forth with involuntary fervor into a psalm tune. Just then the shadowy object of alarm put itself in motion, and, with a scramble and a bound, stood at once in the middle of the road. Though the night was dark and dismal, yet the form of the unknown might now in some degree be ascertained. He appeared to be a horseman of large dimensions, and mounted on a black horse of powerful frame. He made no offer of molestation or sociability, but kept aloof on one side of the road, jogging along on the blind side of old Gunpowder, who had now got over his fright and waywardness.

Ichabod, who had no relish for this strange midnight companion, and bethought himself of the adventure of Brom Bones with the Galloping Hessian, now quickened his steed, in hopes of leaving him behind. The stranger, however, quickened his horse to an equal pace. Ichabod pulled up, and fell into a walk, thinking to lag behind-the other did the same. His heart began to sink within him; he endeavored to resume his psalm tune, but his parched tongue clove to the roof of his mouth, and he could not utter a stave. There was something in the moody and dogged silence of this pertinacious companion, that was mysterious and appalling. It was soon fearfully accounted for. On mounting a rising ground, which brought the figure of his fellow-traveller in relief against the sky, gigantic in height, and muffled in a cloak, Ichabod was horror-struck, on perceiving that he was headless!-but his horror was still more increased, on observing that the head, which should have rested on his shoulders, was carried before him on the pommel of the saddle; his terror rose to desperation; he rained a shower of kicks and blows upon Gunpowder; hoping, by a sudden movement, to give his companion the slip-but the spectre started full jump with him. Away then they dashed, through thick and thin; stones flying, and sparks flashing at every bound. Ichabod’s flimsy garments fluttered in the air, as he stretched his long lanky body away over his horse’s head, in the eagerness of his flight.

The scent of fear, and terrifying pursuit: wind-whipped, chilly night air, oppressive black pine, globs of dark opopponax, and bleak cedar, and distant, unreachable church incense.

GUNPOWDER
That he might make his appearance before his mistress in the true style of a cavalier, he borrowed a horse from the farmer with whom he was domiciliated, a choleric old Dutchman, of the name of Hans Van Ripper, and, thus gallantly mounted, issued forth, like a knight-errant in quest of adventures. But it is meet I should, in the true spirit of romantic story, give some account of the looks and equipments of my hero and his steed. The animal he bestrode was a broken-down plough-horse, that had outlived almost every thing but his viciousness. He was gaunt and shagged, with a ewe neck and a head like a hammer; his rusty mane and tail were tangled and knotted with burrs; one eye had lost its pupil, and was glaring and spectral; but the other had the gleam of a genuine devil in it. Still he must have had fire and mettle in his day, if we may judge from the name he bore of Gunpowder. He had, in fact, been a favorite steed of his master’s, the choleric Van Ripper, who was a furious rider, and had infused, very probably, some of his own spirit into the animal; for, old and broken-down as he looked, there was more of the lurking devil in him than in any young filly in the country.

Carrot peelings, hay, chaff, molasses, maple oats, red apples, stable wood, and musk.

THE HESSIAN OF THE HOLLOW
The dominant spirit, however, that haunts this enchanted region, and seems to be commander-in-chief of all the powers of the air, is the apparition of a figure on horseback without a head. It is said by some to be the ghost of a Hessian trooper, whose head had been carried away by a cannon-ball, in some nameless battle during the revolutionary war; and who is ever and anon seen by the country folk hurrying along in the gloom of night, as if on the wings of the wind. His haunts are not confined to the valley, but extend at times to the adjacent roads, and especially to the vicinity of a church at no great distance. Indeed, certain of the most authentic historians of those parts, who have been careful in collecting and collating the floating facts concerning this spectre, allege that the body of the trooper, having been buried in the church-yard, the ghost rides forth to the scene of battle in nightly quest of his head; and that the rushing speed with which he sometimes passes along the Hollow, like a midnight blast, is owing to his being belated, and in a hurry to get back to the church-yard before daybreak.

Such is the general purport of this legendary superstition, which has furnished materials for many a wild story in that region of shadows; and the spectre is known, at all the country firesides, by the name of the Headless Horseman of Sleepy Hollow.

Grave moss and bone-white sandalwood, with vetiver, gunpowder, artillery shrapnel, and blood.

THE SCHOOL-HOUSE
His school-house was a low building of one large room, rudely constructed of logs; the windows partly glazed, and partly patched with leaves of old copy-books. It was most ingeniously secured at vacant hours, by a withe twisted in the handle of the door, and stakes set against the window shutters; so that, though a thief might get in with perfect ease, he would find some embarrassment in getting out; an idea most probably borrowed by the architect, Yost Van Houton, from the mystery of an eel-pot. The school-house stood in a rather lonely but pleasant situation just at the foot of a woody hill, with a brook running close by, and a formidable birch tree growing at one end of it. From hence the low murmur of his pupils’ voices, conning over their lessons, might be heard in a drowsy summer’s day, like the hum of a bee-hive; interrupted now and then by the authoritative voice of the master, in the tone of menace or command; or, peradventure, by the appalling sound of the birch, as he urged some tardy loiterer along the flowery path of knowledge.

Dandelion, white clover, balsam fir logs, and birchwood switches.

THE SHATTERED PUMPKIN
The next morning the old horse was found without his saddle, and with the bridle under his feet, soberly cropping the grass at his master’s gate. Ichabod did not make his appearance at breakfast-dinner-hour came, but no Ichabod. The boys assembled at the schoolhouse, and strolled idly about the banks of the brook; but no school-master. Hans Van Ripper now began to feel some uneasiness about the fate of poor Ichabod, and his saddle. An inquiry was set on foot, and after diligent investigation they came upon his traces. In one part of the road leading to the church was found the saddle trampled in the dirt; the tracks of horses’ hoofs deeply dented in the road, and evidently at furious speed, were traced to the bridge, beyond which, on the bank of a broad part of the brook, where the water ran deep and black, was found the hat of the unfortunate Ichabod, and close beside it a shattered pumpkin.

Soil-covered crushed pumpkin, water-weeds, saddle-leather, and pine pitch.

KATRINA VAN TASSEL
… and though he had seen many spectres in his time, and been more than once beset by Satan in divers shapes, in his lonely perambulations, yet daylight put an end to all these evils; and he would have passed a pleasant life of it, in despite of the devil and all his works, if his path had not been crossed by a being that causes more perplexity to mortal man than ghosts, goblins, and the whole race of witches put together, and that was-a woman.

Among the musical disciples who assembled, one evening in each week, to receive his instructions in psalmody, was Katrina Van Tassel, the daughter and only child of a substantial Dutch farmer. She was a blooming lass of fresh eighteen; plump as a partridge; ripe and melting and rosy cheeked as one of her father’s peaches, and universally famed, not merely for her beauty, but her vast expectations. She was withal a little of a coquette, as might be perceived even in her dress, which was a mixture of ancient and modern fashions, as most suited to set off her charms. She wore the ornaments of pure yellow gold, which her great-great-grandmother had brought over from Saardam, the tempting stomacher of the olden time; and withal a provokingly short petticoat, to display the prettiest foot and ankle in the country round.

White rose and honeyed cream.

WILEY’S SWAMP
A few rough logs, laid side by side, served for a bridge over this stream. On that side of the road where the brook entered the wood, a group of oaks and chestnuts, matted thick with wild grapevines, threw a cavernous gloom over it. To pass this bridge was the severest trial. It was at this identical spot that the unfortunate André was captured, and under the covert of those chestnuts and vines were the sturdy yeomen concealed who surprised him. This has ever since been considered a haunted stream, and fearful are the feelings of the schoolboy who has to pass it alone after dark.

Water-logged and rotting wood, fallen chestnuts, oak leaf, bog laurel, and Virginia creeper.

THE WITCHING TIME OF NIGHT
It was the very witching time of night that Ichabod, heavy-hearted and crest-fallen, pursued his travel homewards, along the sides of the lofty hills which rise above Tarry Town, and which he had traversed so cheerily in the afternoon. The hour was dismal as himself. Far below him, the Tappan Zee spread its dusky and indistinct waste of waters, with here and there the tall mast of a sloop, riding quietly at anchor under the land. In the dead hush of midnight, he could even hear the barking of the watch dog from the opposite shore of the Hudson; but it was so vague and faint as only to give an idea of his distance from this faithful companion of man. Now and then, too, the long-drawn crowing of a cock, accidentally awakened, would sound far, far off from some farmhouse away among the hills-but it was like a dreaming sound in his ear. No signs of life occurred near him, but occasionally the melancholy chirp of a cricket, or perhaps the guttural twang of a bull-frog, from a neighboring marsh, as if sleeping uncomfortably, and turning suddenly in his bed.

Moonflower, night-blooming cereus, white hellebore, English ivy, monkshood, angel’s trumpet, oleander, and eastern hemlock.

Artwork for the Sleepy Hollow series created by the newest member of the Black Phoenix family, Jennifer Rodgers!

ALL SOULS 2007
A day of remembrance and intercession. Without the prayers and sacrifices of their families and loved ones, the faithful departed may not be cleansed of their venal sins, and thereby cannot attain beatific vision. On November 2nd, prayers are sung and offerings are made to aid lost souls in transcending purgatory. An incense blend that invokes the higher qualities of mercy and compassion, mingled with the soft, sugared currant scent of offertory soul cakes.

BONFIRE NIGHT
Guy Fawkes, Guy;
Stick him up on high!
Hang him on a lamp post
And there let him die!
Guy, Guy, Guy!
Poke Him in the eye!
Put him on the fire,
And there let him die!
Burn his body from his head:
Then you’ll say
Guy Fawkes is dead!
Hip, Hip, Hooray!

Beer, woodsmoke, tar, and treacle.

THE DEATH OF AUTUMN
When reeds are dead and a straw to thatch the marshes,
And feathered pampas-grass rides into the wind
Like aged warriors westward, tragic, thinned
Of half their tribe, and over the flattened rushes,
Stripped of its secret, open, stark and bleak,
Blackens afar the half-forgotten creek, –
Then leans on me the weight of the year, and crushes
My heart. I know that Beauty must ail and die,
And will be born again, — but ah, to see
Beauty stiffened, staring up at the sky!
Oh, Autumn! Autumn! — What is the Spring to me?

Dark amber, dead leaves, khus, saffron, bitter clove, chrysanthemum, camellia, galangal, and a drop of oud.

DIA DE LOS MUERTOS 2007
A joyous celebration of La Catarina, La Flaca, La Muerte… Glorious, Beautiful Death. In Mexico, death is not something to be feared or hated; She is embraced, loved, and adored. La Muerte is fêted, as the celebrant “…chases after it, mocks it, courts it, hugs it, sleeps with it; it is his favorite plaything and his most lasting love.” This is a Mexican paean to La Huesuda: dry, crackling leaves, the incense smoke of altars honoring Death and the Dead, funeral bouquets, the candies, chocolates, foods and tobacco of the ofrenda, amaranth, sweet cactus blossom and desert cereus.

OCTOBER
AY, thou art welcome, heaven’s delicious breath!
When woods begin to wear the crimson leaf,
And suns grow meek, and the meek suns grow brief
And the year smiles as it draws near its death.
Wind of the sunny south! oh, still delay
In the gay woods and in the golden air,
Like to a good old age released from care,
Journeying, in long serenity, away.
In such a bright, late quiet, would that I
Might wear out life like thee, ‘mid bowers and brooks
And dearer yet, the sunshine of kind looks,
And music of kind voices ever nigh;
And when my last sand twinkled in the glass,
Pass silently from men, as thou dost pass.

Dry, cold autumn wind. A rustle of red leaves, a touch of smoke and sap in the air.

SAMHAIN 2007
Truly the scent of autumn itself — damp woods, fir needle, and black patchouli with the gentlest touches of warm pumpkin, clove, nutmeg, allspice, sweet red apple and mullein.

SAMHAINOPHOBIA 2007
The fear of Halloween. Menacing Haitian vetiver, patchouli, and clove with a shock of bourbon geranium, grim oakmoss, and dread-inspiring balsams pierce the innocuous scent of autumn leaves.

++ HALLOWEEN: the HAUNTED HOUSE
We’re going back to our campy, spooky roots with the Haunted House Collection! Seven Guignolesque, chilling atmospheric blends are being offered for your pleasure and amusement.

THE ATROCIOUS ATTIC
A shadowy shrine filled with forgotten toys, broken dolls. The altar: a collapsing trunk distended by a rotted wedding gown. The air of the room is dusty, laced with the scent of a child’s perfume and the remnants of a dried, crumbling bridal bouquet: tea rose, violet, white sandalwood, French lavender, and Calla lily.

THE CHILLING CELLAR
Wine just turning to vinegar, crumbling mortar, red clay, and the coppery tang of old blood.

THE FORBIDDING FOYER
Thick shadows hang heavy across fungus-smeared, dilapidated wainscoting, cobwebs hang like fine lace across sagging mouldings, rats scuttle past gaping doorways. The faint scent of brimstone, ghostly breath laced with cognac, neglected mahogany panels, and rot.

THE GHASTLY GARDEN
Overgrown oleander, marshy water hemlock, the sugared nectar of carnivorous blooms, putrefying wet greenery, oozing sap, crushed rosary peas, withered climbing roses, and nightshade berries.

THE LURID LIBRARY
The incense-tinged scent of forbidden tomes and the musk-laden remnants of infernal servants.

THE PERILOUS PARLOR
A memory of pleasure passed. A ghostly rendezvous, delight beyond death. Faint echoes of laughter and the distorted music of a harp drift by, along with the scent of soft white pear and sweet vanilla.

THE TWISTED OAK TREE
Blackened, rotted oak wood blanketed in moss and choked by a cloak of grasping ivy.

++ HALLOWEEN: the PUMPKIN PATCH
The ‘Patch is back, with five new pumpkin blends to choose from. Pick individual pumpkins from the field, or snatch up the whole bushel!

PUMPKIN I
Pumpkin with pear, white wine grapes, and jasmine-laced tea.

PUMPKIN II
Pumpkin with tobacco, champaca flower, carnation, and tonka.

PUMPKIN III
Pumpkin with white chocolate, caramel, pomegranate, and cream.

PUMPKIN IV
Pumpkin with cactus blossom, sage, and sweetgrass.

PUMPKIN V
Pumpkin with benzoin, bourbon vanilla, lemon peel, neroli, blood orange, and red ginger.

PUMPKIN PLUNDER
If you purchase Pumpkin Plunder, you will receive an imp of a Murder of Crows: a scent created to compliment and complete the collection. What is a pumpkin field without crows?